Wednesday, May 6, 2020

Essay on Art as a Reflection of Life in Death in Venice

Art as a Reflection of Life in Death in Venice Death in Venice explores the relationship between an artist, namely Gustave von Aschenbach, and the world in which he lives. Aschenbach, destined to be an artist from a young age, represents art, while his surroundings represent life. As the story unfolds, Aschenbach endeavors on a journey in an attempt to relinquish his position in society as an artist. Aschenbach wants to experience life, as opposed to merely reflecting upon it, as he has done for so many years. This attempted change of lifestyle can also be interpreted as a transition from the ways of Apollo to those of Dionysus, an archetype dating back to Nietzsches Birth of Tragedy. Aschenbachs journey throughout Death†¦show more content†¦Aschenbachs resolution to travel is not described by the author as a voluntary act, but instead portrayed his destiny. Mann writes, Aschenbach regarded travel as a necessary evil. (Mann, 6) His life had been filled with order, austerity, and isolation, essentially elements of an Apollonian lifestyle. Due to the regularity and predictability of his previous life, Aschenbachs decision to travel can be interpreted as an act of fate, thereby making the man on the portico a messenger. Upon being summoned by the messeng er, Aschenbachs first destination is Trieste, a word meaning sad in French. Appropriately enough, this concurs with Aschenbachs outlook towards his upcoming travel. The next event of Aschenbachs twist of fate takes place on the small boat ferrying him to Venice. While onboard, Aschenbach takes note of an elderly man not acting his age. Mann writes, But the young-old man was a truly repulsive sight in the condition to which his company with youth had brought him. (Mann, 19) Seeing a drunken old man passing away the time with the youth is not what disgusted Aschenbach. On the contrary, Aschenbach saw himself in the old man, and rejected the direction which his life had taken. The alcohol is symbolic for the Dionysian surroundings in which Aschenbach finds himself, namely the relaxed, happy, and carefree elements of the scene. However, Aschenbach is fated to stand back and reflect on the scene instead of becoming a part of it because heShow MoreRelatedArt: Comparison and Contrast of 19th Century Art Essay1175 Words   |  5 Pages there is a difference between their styles, their point of view, and the scenery. However there are similarities betwe en the two paintings. The paintings that will be compared and contrasted are â€Å"Under the Birches, Evening† and â€Å"The Campo Santo, Venice.† The first painting, â€Å"Under the Birches, Evening†, is done by Pierre Etienne Theodore Rousseau. He was born on April 15, 1812 in Paris, France. 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